Archive for February, 2009

Piano Tabs vs. Guitar Tabs

Piano Tabs are basically the same as guitar tabs. Why is that fact important to you? Simply because most chords/lyrics which are in tab form on the internet are going to be listed as “Guitar Tabs” and not necessarily “Piano Tabs”. The chords to a song, the lyrics to a song are the same regardless if a guitarist or a pianist is playing it. So if you’re looking for the “tabs” for a song on the internet, you may end up having to look at a guitar tab site rather than a piano tab site. But no big deal here!

One big difference with guitar tabs, which of course is short for “guitar tablature”, is that the guitar diagrams are almost always shown and these indicate what fret, string, etc. to play. Just ignore that part. You’re only looking to get the lyrics and chords and disregard everything else relating to guitar playing. A student of mine once pleaded with me to explain how to directly translate the guitar notation into piano. Here’s the deal though, pianists DO NOT waste time doing that exercise. Maybe it’ll be fun for you but practically speaking, it’s a waste of time. Guitarists don’t typically take a fully written piano arrangement and extract out each note to directly use that to perform on guitar. So conversely, why whould you want to do this for piano? Just chords and lyrics my friends, chords and lyrics!!

By the way, many pianists never use guitar tab books or guitar tab sheets to work up songs. I certainly do! They argue that the melody line is not included there but it is always found in “lead sheets”. What I do for a song I’m familiar with, is I have already memorized the melody line, (a relatively simple task) so all I’m missing is the chords and lyrics. Case in point, recently, I bought a fantastic Billy Joel Guitar Tab book. I would assume though that very few keyboard players would consider picking up such a book. My thought though was that the fact that I know these songs so well, just having the chords in front of me would enable me to play the song. Additionally, I could now concentrate on working on my singing without being bogged down on the note for note piano arrangement. When you’re on stage, chances are you have memorized everything already, but if you have the guitar/piano tabs in front of you as a “cheat sheet”, it enables you to still perform the song with minimal diversion to “looking at the music”.

But the most important aspect of this type of “tab” playing is that in my experience, with pop/rock band performance, the best, most efficient information you can have to play any song and learn it quickly are guitar tabs!! That is the Secret Weapon all these garage bands use to work up songs and they’re able to do a great job playing these songs, regardless of how much traditional harmonic theory they have been exposed to!

Lesson learned? Go Google or search out your favorite songs and put “tab” after the song, and you’re 80% on the way to perfecting that song in its entirety!

There are many sites on the web where you can find Piano Tabs. If you are able to find a good piano tab site or at least accurate tabs for a song you’re searching for, you are well on your way to playing that song. The major obstacles to creating that song from tabs are

CHORDS

1. Sites infected with Viruses – Unfortunately, this is a very common problem at tab sites. More often than you’d like, your computer can be infected so make sure your viral protection programs are up and running. If you do not have protection for virus infection, you can get free trail downloads at http://www.download.com.

2. Wrong chords and/or lyrics –
Many of the tabs listed on the web for your favorite songs have been put together by well intentioned amateurs who either don’t double check that all the chords are correct or perhaps are unable to distinguish between a correct chord and an incorrect one.

On a scale of 1-10, there are varying degrees of “wrongness” for any chord. Example, if the correct chord should be G7 and instead the chord is listed simply as G, well that’s a minor offense and you could say it’s a “9″ in terms of accuracy. A common mistake is listing the relative minor for a major chord or visa versa. For this error, we might consider it a 6 or 7 in terms of accuracy. In short, for well regarded substitutions for chords, one can live with that. However, with free piano tabs, you can often see wrong chords listed which are at the opposite end of the spectrum for what the chord should in fact be. The chord might be a B flat minor and the tab says that it’s a G sharp major, not even close and completely out there in “left field”! We’d give that infraction a “1″ on a scale of 10. Then again, you will definitely see chords that are that far off. Your final judge should be your “ear”, engage your inherent musicality- if it sounds wrong or really bad to you, there’s a good chance that it is in fact wrong.

LYRICS

For lyrics, again, the same principal applies here – you will see major infractions and minor ones. Just take the posture that the lyrics are “guilty” until proven innocent, i.e., are not 100% accurate until you proof them against either an artist songbook or against a recording.

With No Written Reference for the Lyric: If a song has never been published or perhaps is out of print and one simply can not find a written reference to check the song tabs against, then your guess is as good as anyone’s really. In this case, you basically have to check it and proof it against the recording to find out how accurate it is.

Missing Lyrics and/or Chords

Another common phenomenon with free piano tabs or free tabs is that entire whole portions or sections of a song may be eliminated. It can be frustrating when this occurs so just check against the artist songbook if you have one or if one is available or check against other tab sites for that song. Speaking of which, “comparison shopping” can be a good idea with free tab sites, taking a consensus of opinion, using your own musicality as the ultimate judge again and determining which portions of a tab for any song is correct or appealing to you and which ones are not.

A piano lamp or piano light is something every piano player should have. Proper lighting is needed to perform or practice playing the piano. Whether you are beginner or amateur pianist just beginning to learn piano, or even if you are a more advanced piano player, lighting is a must. A piano light is of course designed to look nice and classy, but it’s primary function is to aid in giving proper illumination to your sheet music and piano keys, thereby improving your performance. It’s been proven that having good lighting when performing a task, such as reading, writing, painting, or playing a piano, will greatly improve comprehension levels.

There are many styles of piano lights to choose from. Piano lamps are custom designed to the style and shape of a piano. There are piano lights for grand pianos, baby grand pianos, upright pianos, and electronic keyboards. Some piano lamps clamp on to the music sheet holder on the piano, and others sit on the piano but may have adjustable arms to position the light correctly. Besides the various models and types of piano lights such as clamp-on grand piano lamps or balance arm models, you might want to consider a piano light that features a dimmer switch and adjustable height.

Piano lamps can be found in both battery powered or electric models. Brass, chrome or other metal is the most commonly used material for a piano light, and most lamps come with a sturdy heavy base to add stability, but as I said earlier, the clip-on variety can also be found. Not only will a nice piano lamp brighten your fabulous piano to bring out the beauty, but remember, proper lighting is an absolute requirement to playing the piano. Figure out which style of piano lamp you think will best suit your needs and make sure you get one if you don’t already have good lighting in your piano playing area.

I suppose you think that you learn guitar by playing guitar. Well, do you learn to say the right things by talking all the time? Let’s take a look at the art of not playing guitar…

How can you learn to play guitar by not playing? Is it really possible to develop as a guitarist without touching the instrument?

In weight training it is an established fact that muscle growth takes place during rest, for example when you sleep. It doesn’t mean that you will become a famous muscle builder by sleeping. Sleeping is just a part of the overall picture called muscle growth.

Don’t ever think that you will become a good guitarist by not playing guitar at all!

But I define a good guitarist as a good musician. A good musician can convey his musical emotions to somebody else and this ability takes more than just practicing moving the fingers among all those guitar strings.

What can you do to become a better guitarist and a musician when you don’t play? Let me give you a few suggestions:

1. If you play classical guitar, get into the habit of often reading guitar sheet music without your guitar. This practice gives you training in the art of hearing the sheet music in your head and also gives you a better chance to really learn notational symbols in the music and rhythmic subtleties.

2. Take a week off from your guitar playing every now and then and use all your musical energy listening to good music or just being a good citizen. Learn to spot musical and artistic heights in the music. Listen to all types of instrumentalists. With concentration. My best listening position is laying flat on my bed with headphones on forgetting the rest of the world. Maybe you have another approach.

If you feel and enjoy musical and artistic expressions in the music these will probably be implemented in your own guitar playing sooner or later.

3. Be a good musical friend by helping somebody else to play. It will help you become more unselfish and like people more. Well, maybe you already like people sufficiently but to learn to like people is part of our development as musicians as we are supposed to give of ourselves to others when we play.

4. Prepare your body and mind for playing guitar by learning the art of relaxation and stretching your muscles. You can of course find articles on these subjects on the net. Performing in a relaxed manner will help you enjoy your own music more and will help your public to relax and enjoy your music too.

5. Take time to sit down, or stand up if you like, and ponder about what guitar playing means to you. Is there something that you would like to develop in your guitar playing that will give you more joy and happiness. Set a realistic goal and write down what you can do every week to accomplish that goal.

I believe in practicing on my guitar of course but I hope that these pieces of advice concerning not playing guitar will increase your love for your guitar and the art of playing and giving musical joy to others!

One of the first challenges faced by the advancing guitar player is learning a core group of basic guitar chords. Why is it so important to learn these basic chords? Chords form the backbone of most rock and pop songs, and provide the harmonic accompaniment to the melody and instrumental solos.

Rhythm guitar based on basic chords provides many of the most memorable rock riffs… think AC/DC’s “Back in Black” or The Who’s “Won’t Get Fooled Again”. What’s really amazing is that by learning no more than 10 to 15 basic guitar chords, you will be equipped to play thousands of rock and pop songs!

First let’s establish the definition of a chord. A chord is three or more different musical notes played together. In the case of the guitar, this means that at least three strings are strummed or plucked simultaneously to sound three or more notes. Since the guitar has six strings, the maximum numbers of notes in a guitar chord is six. All chords can be placed in one of three groups based on the musical structure of the chord: Major, Minor, or Seventh. Each of these chord groups has its own “sound” or “feel”. Major chords sound stable and complete. Minor chords can evoke a more somber or pensive mood, and Seventh chords are jazzy and somewhat incomplete sounding.

There is no standard list of “basic guitar chords” that every one agrees to. However, there is general agreement that there is a list of somewhere between 8 and 18 basic guitar chords (open string) that every guitarist must know cold. These chords are used in all musical styles from rock and pop to country, jazz, and classical. No matter where you are on your guitar-playing path, you should take the time to learn and master the basic chords. Getting these right will ensure you have the basic tools and skills to learn many songs and increase your playing enjoyment.

So what are the basic guitar chords? Our basic stable includes the major and minor chords from four common musical keys, A,G,C, and D. They are played as “open chords”, that is at least one string in the chord is not fretted (pressed down with a finger). Open chords are easier to learn and play than more advanced chords such as Barre chords, or complex chords further up the guitar neck. Our list of basic major and minor chords is:

A Major (or A), A Minor (or Am), C, D, Dm, E, Em, F, G

These chords can be best learned as chord “families” (by key) that can be combined into great-sounding chord sequences that make up lots of popular songs. Using this chord family approach is much more interesting and useful than just memorizing a bunch of chords in random order!

These chords grouped by chord family (key) are as follows:

A Family (Key of A): A, D, E

D Family (Key of D): D, Em, G, A

G Family (Key of G): G, Am, C, D, Em

C Family (Key of C): C, Dm, Em, F, G

Tips for Learning the Basic Chords:

1. Pick a Chord Family and master it. This will give you quick success and let you play great sounding progressions right away.
2. Use a Guitar Chord Chart as a reference tool. A chord chart shows each chord as an easy to read “chord diagram” with exact finger positions. See this example of a chart of basic guitar chords.

3. Find the chords and lyrics for an easy song that is based on the chord family so you can apply your skills. Many great songs are based on only three chords!

4. Ensure each string sounds right. Take care to make sure that each string is sounding clearly, and that only the strings that should be played are played.

5. Practice, practice, practice! Every day, practice continually change from one chord to another until you can do it rapidly. Learn the chord families one at a time.

6. Master all the basic chords first. Only then move on to Barre chords and other more complex chords. First things first!
7. Expand with 7th chords. As a next step you can easily expand on your basic chord knowledge by adding 7th and minor 7th chords based on the nine basic major and minor chords.

8. Have fun using your new skills! Enjoy your musical ability by applying it to learning a small set of 5-10 songs you know really well and can confidently play at any time.

Copyright 2005 Peter Bussey of http://www.guitar-players-toolbox.com
This article can be reprinted freely online, as long as the entire article and the resource box are included.

Most guitarists, when in their formative years of learning and playing, tend to focus on learning chords. Lead guitar is often something that comes later on, as you need to understand how harmonies work over the existing backing chords.

Now, within lead guitar there are two main types of learning – the physical techniques (such as hammer ons, bends, vibratos etc.) and the theory. The first step with the theory side of lead guitar should be to get a basic understanding of scales.

Think of scales as pots of “flavours” – each scale has its own unique flavour because of the different notes it uses. Different notes act as different tensions over a particular chord, and eventually guitarists learn which tensions compliment particular chords. Of course, it’s a matter of personal taste what goes with what. That’s where your creativity takes over.

Technically, a scale is merely a sequence of notes – that’s it! However, it is the intervals between each note in the sequence that defines its structure and flavour. For example, we have the natural major scale (also the 1st mode called Ionian). The numerical notes of the major scale are:

1 2 3 4 5 6 7

Simple, eh? That’s because the major scale is the basis from which we build all other scales. Even minor scales are referenced against the natural major scale. For example, the natural minor scale (also the 6th mode called Aeolian) is:

1 2 b3 4 5 b6 b7 – the “b” means “flat”, so what it’s really saying is “the 3rd, 6th and 7th tones of the natural major scale have been flattened”. This is what creates what has been named the natural minor scale (or Aeolian).

All scales work in a similar way, being noted against that original major scale position.

Therefore, in light of all this, it would make sense to learn the natural major scale first! Once you’ve done that, you have your foundation scale upon which to build all other scales/flavours.

Now, when learning a scale, the notes will be spaced out over the 6 strings. These are known as intervals. Looking at the major scale once again…

1 W 2 W 3 H 4 W 5 W 6 W 7 H… then the sequence starts again at 1.

The W stands for “whole step” – this is the equivalent of a two fret space on your guitar. So, if you were on the 3rd fret on the low E string (the note G), moving up a whole step would put you at the 5th fret (the note A).

The H stands for “half step” – this is the equivalent of a single fret space on your guitar. So, if you were back on the 3rd fret on the low E string, moving up a half step would put you at the 4th fret (the note Ab).

Obviously though, to be practical, we want to play the scale across 6 strings, not just 1. This is where you need to know about string relationships and how a note at one fret on the low E string is the same as another fret on another string. That’s what allows you to condense the scale into a “box” about 4 or 5 frets wide, across the 6 strings of your guitar.

Essentially though, it’s these whole steps and half steps that determine the structure of notes/tones in a scale and therefore determine the overall flavour of the scale!

At this stage, it’s not that important to know the actual notes you’re playing (e.g. the notes of the “B major scale” would be: B C# Eb E F# Ab Bb), but rather just understand the sequence of intervals in the scale. This will allow you to visualise the scale more generically, in any given key.

The A major scale, B major scale, C major scale, C# major scale etc. all have their own notes, but the intervals they all use are the same… the major scale’s sequence of intervals!

There are many resources on the web to help take you to the next stage of learning scales. Once you know how intervals work within scales, you can also learn how chords and arpeggios are essentially created from the same bag.

However you progress, don’t become complacent and learn things parrot fashion – don’t just learn scales… understand them!

Sharps and flats are normally associated with the black notes on a keyboard. A sharp or flat can be applied to any note on the keyboard. Sharps are always one semitone to the right of the note you want to sharpen and always one semitone to the left for flats. Sharps to the right and flats to the left. To sharpen or flatten a note you must move one semitone to the right or left of that note.

Each note can have a sharp or flat applied to it but not all sharps and flats are black notes. For example if you wanted to sharpen E to make E sharp, you would move one semitone to the right of E to play F. Now while you might know this note as F, depending in which key you are playing this note can also be called E sharp. Other examples of white notes as sharps and flats are F flat, B sharp and C flat. In modern written music, these type of sharps and flats are not very common and are sometimes replaced to make easy reading. So instead of B sharp you will see C. However, you will never see this replacement in examination music. So if you intend to take exams in piano playing, learn them.

Sharps and flats in written music are sometimes indicated at the beginning of a piece of music. This also tells the player what key the piece is in. Sharps and flats can also appear in a bar and this occurrence is known as an accidental. When this happens, all instances of that sharp or flat remain until the end of the bar. For example, if a B is flattened in a bar, any other B’s that occurs in that bar will also be flat without the need to write the flat sign again. To cancel flats or sharps after the initial accidental a natural sign would be used. This naturalises the note back to the original. Therefore, B flat would become B again.